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The Book Of Solomon's Magic !NEW!

It is possible that the Key of Solomon inspired later works, particularly the 17th-century grimoire also known as Clavicula Salomonis Regis, The Lesser Key of Solomon, or Lemegeton, although there are many differences between the books.[citation needed]

The Book of Solomon's Magic

Many such grimoires attributed to King Solomon were written during the Renaissance, ultimately being influenced by earlier works of Jewish kabbalists and Arab magicians.[1] These, in turn, incorporated aspects of the Greco-Roman magic of Late Antiquity.[citation needed]

Unlike later grimoires such as the Pseudomonarchia Daemonum (16th century) or the Lemegeton (17th century), the Key of Solomon does not mention the signature of the 72 spirits constrained by King Solomon in a bronze vessel. As in most medieval grimoires, all magical operations are ostensibly performed through the power of God, to whom all the invocations are addressed. Before any of these operations (termed "experiments") are performed, the operator must confess his sins and purge himself of evil, invoking the protection of God.

Elaborate preparations are necessary, and each of the numerous items used in the operator's "experiments" must be constructed of the appropriate materials obtained in the prescribed manner, at the appropriate astrological time, marked with a specific set of magical symbols, and blessed with its own specific words. All substances needed for the magic drawings and amulets are detailed, as well as the means to purify and prepare them. Many of the symbols incorporate the Transitus Fluvii occult alphabet.

According to the mythical history of the document, as recorded in its introduction, Solomon wrote the book for his son Rehoboam, and commanded him to hide the book in his sepulchre upon his death. After many years the book was discovered by a group of Babylonian philosophers repairing Solomon's tomb. None could interpret the text, until one of them, Iohé Grevis, suggested that they should ask the Lord for understanding. The Angel of the Lord appeared to him and extracted a promise that he would keep the text hidden from the unworthy and the wicked, after which he was able to read it plainly. Iohé Grevis then placed a spell on the book that the unworthy, the unwise or those who did not fear God would not attain the desired effect from any of the workings contained in the book.

Book II describes various purifications which the operator (termed "exorcist") should undergo, how they should clothe themselves, how the magical implements used in their operations should be constructed, and what animal sacrifices should be made to the spirits.

For the first time, the three great magical works of King Solomon are together in one volume. The Greater and Lesser Keys give a practical guide to the operation of his magic. The testament gives a historical account of its use by Solomon himself.

The work is traditionally divided into two books detailing the Key of King Solomon. Book One explains the operation of conjurations, curses, spells and other magical works. Book Two instructs the practitioner on the proper attire, purification rituals and other means of obtaining the goals of the Goetia. Between these two books is the list of plates that contain numerous illustrations and secret seals of Solomon, including the Mystical Seal of Solomon, the Pentacles of Solomon, and the Mystical Alphabet, which impart the mechanisms and requirements for the invocation of spirits and demons.

The Lesser Key of Solomon, or the Clavicula Salomonis Regis, or Lemegeton, is a compilation of materials and writings from ancient sources making up a text book of magic or "grimoire." Portions of this book can be traced back to the mid-16th to 17th centuries, when occult researchers such as Cornelius Agrippa and Johannes Trithemisus assembled what they discovered during their investigations into their own great works.

In the preface to this edition, it is explained that a "Secret Chief" of the Rosicrucian Order directed the completion of the book. The original editor was a G. H. Fra. D.D.C.F. who translated ancient texts from French, Hebrew, and Latin, but was unable to complete his labors because of the martial assaults of the Four Great Princes. Crowley was then asked to step in and finish what the previous author had begun.

The Testament of Solomon is a pseudepigraphical work attributed to King Solomon the Wise of the Old Testament. Written in the first-person narrative, the book tells the story of the creation of the magical ring of King Solomon and how Solomon's ring was used to bind and control demons, including Beelzebub. In this book of King Solomon, the discourses between the King and the various spirits are told, and the story shows how Solomon uses his wisdom to withstand the demons' tricks and guile and enlist their aid in the building of his temple.

This trade paperback edition is a fully illustrated reprint of the 1904 publication by Aleister Crowley and Samuel Liddell MacGregor Mathers. This edition of The Lesser Key of Solomon the King contains all of the over 150 seals, sigils, and charts of the original lesser book of Solomon. Beware of other editions that do not contain the Lesser Key of Solomon seals; they were painstakingly researched by Mathers and Crowley, and Solomon's lesser key is enhanced by their inclusion. This edition also contains Crowley's original comments located in over 35 annotations to help the reader understand the lesser keys of Solomon the king.

In this work, Crowley and Mathers assemble descriptions and directions for the invocation of over 72 demons or spirits. Included are: illustrations of Solomon's Magic Circle & Triangle, Enochian translations of the Goetia book, step by step guides for invocation, as well as definitions and explanations for the ancient terms seen throughout the Lesser Key of Solomon book.

As a modern grimoire, the Lesser Key of Solomon has seen several editions with various authors and editors taking liberty to edit and translate the ancient writings and source material. In 1898, Arthur Edward Waite published his The Book of Black Magic and of Pacts, which contained large portions of the Lemegeton. He was followed by Mathers and Crowley in 1904 who published The Goetia: The Lesser Key of Solomon. Many others have assembled their own version of this ancient material since, and it is important to realize that it is the contents rather than the book itself that make up the Lesser Key. Traditionally, the source material is divided into five books: Ars Goetia, Ars Theurgia Goetia, Ars Paulina, Ars Almadel, and Ars Notoria. Mathers and Crowley indicate their edition is a translation only of the first book: Goetia.

In the preface to this edition, it is explained that a "Secret Chief" of the Rosicrucian Order directed the completion of the book. The original editor was a G. H. Fra. D.D.C.F. who translated ancient texts from French, Hebrew, and Latin, but was unable to complete his labors because of the martial assaults of the Four Great Princes. Crowley was then asked to step in and finish what the previous author had begun. Traditionally, S. L. MacGregor Mathers is credited as the translator of this edition, and Crowley is given the title of editor. Although impossible to verify, it is often claimed that Mathers did not want to publish this work, but Crowley did so anyway without his permission.

I am not concerned to deny the objective reality of all magical phenomena; if they are illusions, they are at least as real as many unquestioned facts of daily life; and, if we follow Herbert Spencer, they are at least evidence of some cause.[4]

Herein then consists the reality of the operations and effects of ceremonial magic[6], and I conceive that the apology is ample, as far as the effects refer only to those phenomena which appear to the magician himself, the appearance of the spirit, his conversation, possible shocks from imprudence, and so on, even to ecstasy on the one hand, and death or madness on the other.

(2) Here we come to an interesting fact. It is curious to note the contrast between the noble means and the apparently vile ends of magical rituals. The latter are disguises for sublime truths. To destroy our enemies is to realize the illusion of duality, to excite compassion. (Ah! Mr. Waite, the world of Magic is a mirror, wherein who sees muck is muck.)

MAGIC is the Highest, most Absolute, and most Divine Knowledge of Natural Philosophy[7], advanced in its works and wonderful operations by a right understanding of the inward and occult virtue of things; so that true Agents[8] being applied to proper Patients[9], strange and admirable effects will thereby be produced. Whence magicians are profound and diligent searchers into Nature; they, because of their skill, know how to anticipate an effort[10], the which to the vulgar shall seem to be a miracle.

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Widely regarded as his major work, Crowley's Magick in Theory and Practice is an extensive treatise on magick, a system of Western occult practice synthesized from many sources, including Eastern yoga, hermeticism, medieval grimoires, contemporary magical theories, and Crowley's own original contributions. As important today as when it was first written, Magick in Theory and Practice is essential listening for anyone interested in occultism.

The Testament of Solomon was originally written in Greek, and scholars date it to the end of the first century, but it includes material dated to an earlier period. The text contains various theological and magical themes found in Christianity and Judaism, and Greek and Egyptian mythology. It contains passages on medical alchemy and incorporates astrological concepts. Most of it consists of Solomon's interviews with demons, including figures otherwise known as the Titan Kronos, Lilith, Hecate, and Medusa. 041b061a72


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